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The DebutanteApr 17, 20242 min readTracing Reality and Fantasy in the Choreography of Suspiria, Hexentanz, and Blaubart
The DebutanteMay 19, 20234 min readDreams as a Portal to Feminist Consciousness: The Photomontages of Grete Stern
The DebutanteMar 20, 20237 min read“A lot of my art decomposes on its own, returning to nature where it came from...”
The DebutanteOct 14, 20223 min readWeaving Inspiration into Words: A Reflection on Remedios Varo by Rym Kechacha
The DebutanteSep 30, 20217 min readFashioning the Fragments of Female Form: The Debutante in conversation with Lilia Ziamou
The DebutanteSep 17, 20212 min readDorothea Tanning and Perilous Childhoods III: 'Palaestra' by Selin Genc
The DebutanteSep 9, 20214 min readDorothea Tanning and Perilous Childhoods II: 'Children's Games' and 'Interieur'
The DebutanteSep 2, 20214 min readDorothea Tanning and Perilous Childhoods I: 'Eine Kleine Nachtmusik'
The DebutanteJul 3, 20216 min readEnter the dream state: alternative subjectivities in the occult performances of Elise Muller
The DebutanteApr 13, 20214 min readA Countervailing Theory – the visual language of speculative storytelling
The DebutanteNov 21, 20209 min readThe Kaleidoscopic Self Part III: Le Livre de Leonor Fini (1975) by Brianna Mullin
The DebutanteNov 2, 20204 min readGuided by the Energy of past feminist-surrealists. Part II of Leah Clare Michaels' Mexico series
